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With the power put into everyone’s hands by the growth of computer capabilities on an almost daily basis, people who want to create their own movies are starting to have a lot of the same tools as the major studios. What this means for folks who have a vision of the film they want to create is they have to approach the studios in a whole new way. Where it used to be good enough to go in with a verbal pitch for your film (This is like The Birds meets Jaws, and everyone is running for their lives), that doesn’t cut it any more. Now you have to prove you have the story telling chops and a tale worth financing by creating your own little preview, more than a trailer but less than a feature film. One of the best examples I have seen of this recently is Controller, about a girl who wants to escape from the corporation who controls her. To do so, she remotely takes control of her boy friend and forces him to wipe out anyone who would stand in the way of her freedom.

It was good enough that Fox is putting up the money to actually make the piece, so we can hope to see the extended story soon. I don’t know how long ago this trend started, but I first became aware of it when the first 6 minutes of Sky Captain and the World of Tomorrow was created in just under a decade, and the results shown to a movie company that decided to finance its completion. This is definitely a great way for people to spend minimum money to create something that might get them to realize their dream; thanks to The Dissolve for the heads up on this project!

CONTROLLER (控制者) from Saman Kesh on Vimeo.

Studio Ghibli has produced some amazing animations in its history, and it looks like When Marnie Was There is yet another in a long line of triumphs. The box office results in Japan were poor for this one, but the critical reaction was positive to the point of acclaim, and this is another beautiful feature length production in the Miyazaki style. It will be premiering in New York and Los Angeles on May 22nd, and go into wider (but still limited) release after that. If you are lucky enough to be in a town where you can catch it on the big screen, you should try to do so.

This is the week when Avengers: Age of Ultron hits the big screen, and I will definitely be in the theater to see it. The word came from Chris Evens (Captain America) earlier today that they have already set up the shooting schedule for Avengers: Infinity War, filming the two part movies back to back over 9 months beginning in the fall of 2016. Part one will be out in May of 2018, part 2 in May 2019. Also they started filming on Captain America: Civil War today as well. That film will be near-Avengers in scope, including the return of Iron Man, Falcon, Black Widow, Hawkeye, and the Winter Solder, and giving us the new characters Black Panther and Scarlet Witch.

If you are up for a marathon, AMC Theaters, Showcase Theaters, Regal Theaters, and Cinemark (and probably others I didn’t find) are running 27 hours worth of Marvel titles back-to-back for the new Avengers premier. You start at 6PM Wednesday give or take a few minutes, and finish with the 7PM showing of the latest one Thursday evening, like so:

6:00pm IRON MAN
8:25pm THE INCREDIBLE HULK
10:35pm IRON MAN 2
1:00am THOR
3:10am CAPTAIN AMERICA: THE FIRST AVENGER
5:30am THE AVENGERS
8:48am IRON MAN 3
11:15am THOR: THE DARK WORLD
1:45pm CAPTAIN AMERICA: THE WINTER SOLDIER
4:20pm GUARDIANS OF THE GALAXY
7:00pm AVENGERS: AGE OF ULTRON

Obviously the one that caught my eye was Guardians of the Galaxy, which has not been part of the Avengers filmography. This may be confirmation that there will be a film where the two teams meet, or perhaps it is Marvel/Disney figuring that film was popular enough they can sell out the theaters even though it isn’t new.

I didn’t find many genre Movies or TV shows this week, although Paddington is a fantasy as well as a children’s tale, so should be included in this list. Certainly it has some of the best CGI effects playing the part of its title character I have seen in a while. There is a live action Japanese movie that fits the genre criteria coming out this week, in the form of 2013’s Arcana. When you watch the trailer see if you can spot the actor who played the primary villein in the Korean sci-fi TV romantic dramedy My Love From Another Star. While not genre, Inherent Vice is based on the Thomas Pynchon novel of the same name, so should be both darkly funny and appropriately twisty.

We do much better in Anime this time around, starting with D-Frag!, where Kazama’s plan to rule the school using violence is tanked when he runs into the pretty psychopaths of the Game Creation Club. Now he will be lucky just to survive the whacked out games these girls play. In Nobunaga the Fool: Collection 1 the giant mechas were built by Leonardo Da Vinci, and Joan d’Arc needs to convince Nobunaga Oda to use them to unite both planets under a banner of peace. Then there is Hayate the Combat Butler: Can’t Take My Eyes Off You, another 12 episodes forming season 3, continuing the epic fight for Hayates life, and his charge’s freedom and well-being.

World conquest has been a dream of would-be dictators for centuries, but has never actually happened. At least not until one girl pulled it off in World Conquest Zvezda Plot, possibly the strangest tale of world domination ever told. I should also mention a couple of classics being re-released for another generation this time around: Fushigi Yugi (a book transports 4 friends into a parallel universe, giving them 52 episodes of adventures before they can escape) and Saiyuki (4 reluctant heroes are just as concerned about having a good time as they are about saving the world for 50 episodes). My super-short description of the two tales may sound similar, but they are far different than you might suspect. Plus, they are both absolute classics of their kind, and well worth your time to watch and enjoy.

Sooner or later it had to happen; a Nerdcore artist, MC Lars in this case, did a tribute to George R.R. Martin’s Game of Thrones. The track is called Dragons Blood, and both the video and the song are fun. As someone watching the end product it is hard to tell if Editor Mike Sobo, Visual Effects master Tobias Arturi, or the
Effects Mixer Samarei was the one responsible for the excellent time/speed frame shifting during the combat choreography. It is truly well done, whoever pulled it off.