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The first video is from a band that lost their instruments but refused to stop playing. New York Cities Atomic Tom took music creation apps from their smart phones, hit the subways, and recorded another version of their local hit. If you like the song, you can download it free on iTunes. I am sure Steve Jobs thinks it is another advertising campaign generated by his company. The second track is from Future Music Camp Mannheim 2009, and features 2 conductors direction 12 people running the Brian Eno music app Bloom. They ran the camp again in 2010, and I wouldn’t be surprised at all if it was coming around again this year.

This Friday, January 14th, the movie to attend is The Green Hornet, a tribute to the 1960’s TV show starring Bruce Lee, and referred to as The Kato Show all throughout Asia during that time period. This version is NOT directed by Stephen Chow, who brought us such masterpieces as Kung Fu Hustle and Shaolin Soccer, as I previously reported. He had been involved with the project, but walked away from the Director spot in 2008, and the Kato roll in 2009; I really need to check web pages more carefully for story dates so I am not reporting expired information. This has come a long way since 1940, when it was produced as a movie theater serial of 13 episodes or so, itself based on the original Radio Plays of the early 1930s. Unlike most of its contemporaries The Green Hornet was a radio play first, not a pulp or comics series, and every episode ended with the newspaper boy hawking his wares by shouting out the headlines for that story (bad guys in jail) ending with the phrase The Green Hornet Still at Large!!

Joe Hisaishi has built some interesting music for some quality Anime productions, most notably for Hayao Miyazaki’s incredible animated stories. Miyazaki is the world famous co-founder of Studio Ghibli,, and some of the wonderful stories that Joe built the scores for include Ponyo on the Cliff by the Sea, My Neighbor Totoro, Spirited Away, and Howl’s Moving Castle. From which list you will no doubt have figured out that Disney Distributes Ghibli in the US, because their quality for amazing animation is on a par. And Joe has been doing some of the best musical scores for Ghibli, which is a bit more complex than it might at first seem.

We all know that every good Movie and TV show, whether live action or animation, has an opening and closing theme that ideally sets the tone and expectations for the program as a whole. And we all realize (even if we don’t notice it on any specific show) that within any good program there are variations of one or both of those theme songs that enhance scenes emotionally and make it obvious that we are in a chase, or combat, or romance, or one of the other standard kinds of situations. The ones that become easiest to miss are also the ones that stitch together the presentation at the most basic level; the interstitial music, the tones or brief riffs that introduce a transition from one kind of scene to the next. Trust me when I say Joe Hisaishi has mastered all of those musical flavors, and built some of the most complete and inspiring sound tracks for each of the projects he has taken on. Just in case you still think you don’t already know who he is, this short selection of tracks should prove otherwise to you.

And for those in the audience that thought if it wasn’t Rock-N-Roll I wasn’t interested, you were mostly right. But I haven’t heard orchestral music twisted around and tied tight to a story line like this since I sat in the audience and had Leonard Bernstein play Peter and the Wolf for me live one day; that kind of experience really does change your perspective.

Happy Holidaze! This amazing holiday music set is performed entirely on smartphones and tablets by the North Point Ministries and presented online for your holiday listening pleasure. They got a lot of requests from folks wanting to know which app allowed them to play which instrument, so they assembled a list that will lead you right to them. As with other entries under Singularity Music, I had to immediately start tracking down and installing a few of these, in the hopes I could learn how to make more than random noise out of them.