In Each Hand A Cutlass, also called IEHAC, is an Indi instrumental rock band from Singapore playing a very nice strain of fusion. They blend progressive rock, ambient, jazz, metal, and post-rock to paint sonic landscapes for us to explore and experience. They came together out of a number of other successful bands in 2011 and did an Indi release of A Universe Made Of Strings, their first album, which was recorded at Fascination Street Studios in Sweden. Their latest album, The Kraken, was recorded, engineered, mixed and produced by Brad Wood (if you don’t know him, he has done Smashing Pumpkins and Veruca Salt, among many others) at The Lodge in NYC. The first track shown here is Marauder, which is from that first album, the second tune is Satori 101 recorded live at ST Session.
Terrestrial Human
An amazing video I had to share: Hayao Miyazaki makes ramen at Studio Ghibli! Sadly, nobody in Japan seems to pay their animators a living wage, so this kind of communal cooking is one of the ways they survive. Including, apparently, the big man himself.
Studio Chizu has teamed up with Funimation to bring The Boy And The Beast to some US theaters in the fall, going into wide release at the end of the year in hopes of nailing down an Academy Award or three. I can’t link you to the Funimation site, because they only signed on last week; they haven’t had a chance to build the page yet, so the link goes to the original Japanese site. Mamoru Hosoda directed this, some of his previous works included Summer Wars, The Girl Who Lept Through Time, and Wolf Children, so you can expect something exceptional.
Last year the movie Monsterz was presented on the big screen by the Japan Society in New York. The film itself was made in Japan and released there in 2013, a remake of the 2010 Korean movie Haunters, telling the tale of two men with supernatural powers battling each other for control. This is another movie that has yet to be released in a domestic North American version, but I live in hope (and refuse to pay the price buying it as an import entails). The Korean original had been available here a few years back, but went out of print around 2013 or so.
Have you been planning how to make your movie, but can’t afford all the location crews it will take to get the filming done, let alone at the quality level your vision requires? Then perhaps what you really need is a drone, not a film crew. With this kind of technology at your fingertips, you can reduce your total production costs by an order of magnitude, and the control interface is simple enough for anyone to learn. OK, I admit that this video of the LilyCam is basically a commercial, but it is also the best introduction I have yet seen to help everyone understand the potential such toys have to help you create your own masterpiece. In my mind, this is one of those Paradigm Shifts in the way we can do things that no one expects, and everyone wonders how we ever got along without after they saw it in action. Thanks to The Great Dismal for the heads up on this one!
There are two excellent choices this time around, the live action option being Tomorrowland from Disney. I have been watching that one spit out new trailers for a while now, and am quite excited about it. We also get the animated When Marnie Was There from Studio Ghibli in a noticeably more limited release. I plan to try to make both of them.