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The short list of nominees for the 2014 Arthur C. Clarke Award for best novel has been announced, and I am sorry to say I haven’t read any of them; time to go hit a favorite bookstore. The titles that beat the other 115 titles to actually make the final cut are:

God’s War by Kameron Hurley (Del Rey)
Ancillary Justice by Ann Leckie (Orbit)
The Disestablishment of Paradise by Phillip Mann (Gollancz)
Nexus by Ramez Naam (Angry Robot)
The Adjacent by Christopher Priest (Gollancz)
The Machine by James Smythe (Blue Door)

The award will be handed out as part of the SCI-FI LONDON Film Festival which runs from the 24th of April to the 4th of May this year.

I am so looking forward to this one, which is a bit surprising since I am not a Tom Cruse fan, or at least wasn’t. But recently he has been doing some tasty Sci-Fi stories with interesting twists, and it looks like Edge Of Tomorrow may be another one. This movie is based on Hiroshi Sakurazaka’s light novel All You Need Is Kill. Since the film will be on the big screen on June 6th in the US, May 30th in the UK, you have time to read the book first and get ready for it.

The winner in movies this week is Odd Thomas, the first big screen implementation of Dean Koontz’s wonderful series. But it is not our only entry; Walking with Dinosaurs is a quality first-person (first reptile?) animation that explores life in that epoch. And Jackie Chan dishes out his own style of channeling Indiana Jones with Chinese Zodiac, although his character is torn between having his monster payday and restoring his cultural heritage. And then there is The Punk Singer: A Film About Kathleen Hanna, a documentary with teeth.

In TV, Continuum: Season Two continues the story of time-hopping criminals and the unlikely collection of people who might (or might not) be able to stop them.

For western animation, Avengers Confidential: Black Widow & Punisher is worth looking into. Well, western animation except for the detail that the animation work itself was done by Mad House, the Japanese animation company. But the characters, background, story line, plot twists, and everything else about it is pure Marvel comic book all the way.

In Anime, Mardock Scramble: The Third Exhaust brings the final chapter in Rune Balot’s struggle to bring the man who killed her to justice. It has taken quite a while for all three feature length presentations to be released, since they came out with a full year or better between each one. Now that I finally can get the end of the cyborg revenge story, I think I am going to have to watch them back-to-back so I get all the details fresh.

Fairy Tail – Part 9 continues that excellent saga, complete with all the collateral damage you have come to know and love. In Robotics;Notes: Part 2 the members of the Robot Research Club have finished building their giant combat mecha, only to discover their work is far from over. Just to keep things interesting there is also a robot uprising and a renegade AI rampaging across the countryside.

And you can learn how to do that in 20 minutes, by watching this excellent TED video by Josh Kaufman. If you are not already a major TED fan, you should check the project out. This is the way to help yourself become the best version of you that you can create; by learning how to learn, and grow, and develop. This particular lesson is only the tip of the iceberg.

There had been talk of the Wild Cards shared universe series being made into a TV show. It was to be a joint project between Universal Studios and Syfy, with Melinda Snodgrass doing the screenplay and her and George R. R. Martin executive producing the series. That announcement came out in 2011, and I haven’t heard a single mention of it since, so my hopes are getting pretty faded now. That is a shame, because the Wild Cards books are my favorite shared universe (the short stories) and mosaic novels, and was one of the first portrayals of super heroes as if they were real people with all the real life baggage that entails. Authors in the first 1986 volume included George R. R. Martin, Howard Waldrop, Roger Zelazny, Walter Jon Williams, Melinda M. Snodgrass, Lewis Shiner,Victor Milan, Edward Bryant, and John J Miller. They re-released the original Wild Cards I in 2010 in an expanded edition with new stories from a handful of authors, including Carrie Vaughn. Volume 23 of the series is coming out soon, and it continues to be excellent.

The premise of the series is simple; aliens from outer space want to take over the Earth with all the buildings and infrastructure intact, but without all those pesky Humans around to dispute ownership with them. Or perhaps one renegade Mad Scientists from the aliens wants to use the human race as a testing ground to see how the virus they have created to rewrite DNA actually spreads through a live population. I tend to remember it both ways, since one plot line seemed to be the hidden agenda behind the other. Either way, a space ship arrived to carpet bomb the world with the infection just after WWII has ended. Except… WWII has just ended, and War In The Skies is something humans have gotten pretty good at. Especially Jet Boy, a normal person who has become, in Batman-esque fashion, the most dangerous person in the air. When the ship arrives at Earth and begins the bombing run, he immediately recognizes an attack pattern and starts fighting back. It is destroyed, but not before it drops a single viral bomb on NYC, and they both fall burning from the sky.

The sole virus delivery bomb to reach the ground wrecks unimagined destruction and havoc on the population of the City That Never Sleeps. 99 out of every 100 people die outright. Of the 1% of the survivors, 99 out of every 100 of them become Jokers, with twisted mutant bodies looking not very human at all, although about half of them have some power to compensate them for their loss. The final 1% of 1% become Aces; people with normal or enhanced appearance, and some superpower they can use for themselves. They break down another layer deep, because they are, after all, people. Some become heroes and champions of justice, some become villains, and others are only in it for themselves; like everyone through the ages, they have to decide who they each want to be.

I should mention that my favorite character from this series is Croyd, The Sleeper, and that he was created by one of my favorite authors, Roger Zelazny. Croyd isn’t like any other Joker or Ace; they are all who they are. Croyd, on the other hand, is only who he is at the moment. Once he falls asleep, he could wake up as anyone, Joker or Ace or Human, and that gives him a flavor no one else in this shared universe has. It also gives him a problem no one else has, with its own set of issues; such as being terrified of falling asleep, since he never knows who or what he might wake up as. The solution he usually chooses for that problem is to consume massive amounts of no-doze and other sleep avoiding chemicals, which has its own drawback. After the first 48 to 72 hours of being awake, one’s mind starts to get a bit flaky. When you hit one week of being awake, you have begun to enter the realm of the psychotic, and things go rapidly downhill from there. So even when he starts out as one of the Aces with full superpowers and an intention of doing only good, within a week or so he is doing demented things with no rhyme or reason, and LOTS of unintended consequences.

And that is just one character and his basic issues. Wait until you meet Tom Tudbury, the Great and Powerful Turtle, who’s lineage appears as the House of Tudbury in George’s Game of Thrones series. Every author who came to play in the Wild Cards shared universe created one or more characters, and every character was a human being first with all that might entail, and a hero or monster second, using their abilities to write their personal self large on the world stage.

You can, of course, read any book in the series as a stand alone volume, but you will get a lot more out of it if you gather a selection of the books in a specific subset and read them all in a row. For myself, I would recommend starting with the first one in the set, Wild Cards, and then continuing through the next 9 volumes. If you have done that already, grab the second set starting at volume 11 and read from there. Often a set of 3 book will tell a complete story, even when it is a subset of a larger arc; each book is self contained, but the first 3 books are a single story, residing inside the first 10 book story arc, as an example.

Want to read a few of the stories online for free, before you decide if you should dive into this shared universe? Tor has made a number of them available, so here are a few to check out:

When We Were Heroes by Daniel Abraham
The Rook by Melinda Snodgrass
Ghost Girl Takes Manhattan by Carrie Vaughn
The Elephant in the Room by Paul Cornell
The Button Man and the Murder Tree by Cherie Priest

Drop by George R. R. Martin’s Blog to catch up on a lot of the news and ongoing details.

Topping the list this week is the long awaited Odd Thomas, the Dean Koontz masterwork series now in Movie format (at least the first volume). There are also Webisodes of Odd Thomas you might enjoy. While it opened last week at an extremely limited number of theaters, The Wind Rises goes into wide release this week. The latest creation of Hayao Miyazaki is a biography for once, the story of a real person who designed some of the most innovative airplanes in the world for his time. It is up for an Academy Award for best animated feature film, you have this brief opportunity to see it on the big screen. Even though it is a Japanese production, this is animation, not anime; like all Studio Ghibli works it is very much in the style of Walt Disney. Even though it isn’t genre, Stalingrad looks like a very unusual WWII movie you might want to take note of, and catch if you are in one of the towns it is playing in.