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AV Linux is another incredibly powerful boot-from-DVD build focused on a specialist task set and workflow, and once again it is centered around audio/video production (hence the name). It has all the tools most of us will ever need to create, edit, and compile our projects into coherent multimedia presentations. Like most Linux builds, the default menu buttons and icons are aligned across the top of the screen (although you can move them to any screen border you like best), and they have a small collection of the links to the stuff the developers felt was most important on the screen proper, like help files and the install tools.

Like more and more operating systems, they also have an Icon Bar running down one edge of the screen, giving you a smartphone-like collection of apps/programs to access from your start screen. Again, you can rearrange any component of the desktop to suit your own preferences and habits, like throwing the Icon Bar to any other border, but since this is a Live DVD, you will either have to remaster it, or install it on a Flash Drive/Hard Drive, to get it to remember your preferences from boot to boot. Besides making your choices persistent, installing it on a thumb drive will also allow you to update all the programs and install more of your own, so you can tweak it into the perfect tool set for your projects.

The build itself includes an amazing range of Audio, Graphics and Video content creation software demonstrating the excellence of Open-Source solutions, and the fact that they are free is just making a good thing better. This one is designed for a 32bit computer, meaning this Operating System is designed to turn a regular OLD PC or Intel Mac into an Audio/Graphics/Video workstation with power you won’t believe. I have been somewhat surprised to discover some of my legacy computers are able to outclass some of my newer Windows systems for multimedia creation after booting them from this kind of Linux Live DVD.

The video at the end of this post is for the LAST version of AV Linux; this version is way better! But he covers a ton of stuff included with the OpSys (no great surprise, he coordinated building it, so he knows it best), and most of the basic stuff is the same. Only the names have changed, to protect the innocent Apps (sorry, I couldn’t resist). It gives you a wonderful overview of a lot of the software packages included in the last release, and as always the latest version has all of that and so much more. If you are an audio or video creator and work inside computer environments, this will give you an excellent understanding of which tools you will want to call up for what processes.

AV Linux Screen
AV Linux Screen

It looks like Dreamworks is going ahead with their live action production of Ghost In The Shell, since they have now brought in Rupert Sanders to direct it. This classic Masamune Shirow cyberpunk story is an examination of what it means to be human in this increasingly technological age, where the line between man and machine gets ever more blurry day by day. The format was originally a Manga he wrote and drew from 1989 to 1997. In 1995 he turned it into the Anime feature film that redefined cyberpunk around the world, inspiring such later works as The Matrix. A second Anime movie, Innocence, came out in 2004, both films based on story lines from the Manga. The TV series Ghost in the Shell: Stand Alone Complex on the other hand had new stories that were spun off of situations and characters in the Manga, but independent from it. It has gone through 2 seasons and a number of compilations of story lines from the series were re-cut into feature length stand alone presentations, between them ranging from 2002 through 2007. The TV series had some of its stories converted into Manga format, and three novels based on the series were also released. Just last year a new series of prequels began to be created as OVAs with Ghost In The Shell: Arise, and that too has manga versions. This universe is rich and complex, and I can’t wait to see what they do with the live action portions of it.

The Musix Linux Live and Install build was originally built strictly for music creators of all kinds, but with the release this week of the stable version of Musix GNU+Linux 3.0 they have expanded out to include some graphics and video creation software. One of the strong points of this Distro is that everything included is completely free, with no proprietary programs or modules, so you do not need to pay any licensing or other fees for things you make with it. This live disk is Debien-based, so there is a huge world wide community constantly developing and debugging everything included.

This distribution was created primarily by the Spanish speaking computer aware musical community, headed up by Marcos Guglielmetti (or at least, he is the person doing their announcements these days, and his name is all over the disc; I have even fewer words of Spanish than I do of Japanese, so I don’t know more than that). Don’t let that put you off if Spanish is not your first language. They have done an excellent job of translating everything into English, as well as French, German, and several other European based languages. Their User Forums likewise support both English and Spanish to give you all the help, tips, and hints you could ever require with your projects.

When you boot from the DVD and the initial selection screen pops up, be sure to scroll to your two letter language indicator; it defaults to /es for Spanish, I went for /en for English, and so forth. If you have problems seeing it on your monitor, they have a VESA selection for the English selection to give you legacy hardware support, on some others it is identified as 800×600. Make sure you see “live” in the boot name so you run it directly from the DVD. Once it all finishes loading the log-in is “user” with the password “live”.

I should probably mention that this Distro used to be a geek-oriented package, requiring a Linux nerd to operate it. Things like knowing you had to launch the JACK server to give the various music programs a way to talk to the hardware meant you were doomed to failure without such an expert. They claim they have corrected that issue, and to a goodly extent they have (there are still some “gotcha’s” in the collection; us geeks have a hard time remembering which are the bits other folks don’t know about). Now, the JACK server launches on boot, and if you run something that conflicts with it, it gets shut down automatically.

The menu system launches Icons in the task bar at the top of the screen, and each time you pick one it gives you another set of icons on the screen to access a different set of programs. This visual interface structure gives you a way to access the basic core programs of this build organized by workflow, but does not give you access to the entire collection. If you prefer a smartphone this is perfect, it has that look and feel. In order to get past the icon interface and have access to the actual menu, select the calligraphy M at the left of the icon menu; it will give you the traditional drop-down Linux menu, complete with the usual organized sub-directories.

This particular build takes a unique approach to helping. They created the folder /home/user/demos/starters/ and packed it with .starter demos (yes, the dot indicates a file extension; Linux has a longer string than Windows for extension names). Use the File Browser to go to the folder, right click on the demo you want to check out, and open it with -> musixstarter. While the process may not be as mindless as doing the same kind of things in Windoze, the price tag will be a world smaller for the same capabilities, which seems like a fair trade off to me.

The last stable release for Musix came out in 2009, so the operating system it runs on and the various software packages themselves have both gone through some major improvements over the last half decade. But to me, what makes Musix special is the thought the developers have put into trying to make it the best one-stop solution for musicians/composers and recording artists/producers. While some of the included tools still require a bit more of a learning curve than some people may want to devote to the effort, the complete toolkit is a rival to anything else you will find online for these tasks, and often better at the same task for the price (did I mention it was free?).

If you are building your own artwork, or animations, or videos, or perhaps a button set for a web site, it can be fun and useful to have some Science Fiction Fonts in your toolkit to give a bit of flavor to your creations. A great place to start is with the complete Futurama suite. It has both of the alien languages fonts (and if you didn’t already translate all the jokes on the signs that use them, you may want to go back and re-watch some of the episodes, with you cheat sheet close to hand) as well as the Title, Ambient, and Bold Fonts used in the series. The RoboCop font is a classic, Back To The Future is a good choice, Alien is a classic, and Splash Gordon is also quite a good catch. Because of the way that last web site does everything server side with Javascript, that link only gets you to the site. You will have to drill down to get to the font itself.

There are a number of other series that make their font set available which you should search out, but you will also find some quality resources at the font compilation sites. 1001 Fonts includes 137 free Sci-Fi/Fantasy Fonts, and Da Font has several hundred more, for instance. FontSpace includes a bunch more, as does Fonts2U. Note that on several of these sites you will get different results with different search terms; try several of them and see what other goodies you come across.

Another excellent collection of creative software for the artist, animator, movie maker, musician, and publisher built into a Boot-From-DVD Live distro, Ubuntu Studio is ready to help you make some amazing stuff. While they don’t have the huge range of software Open Artist contains, what they do have still covers a lot of ground, and almost all of it is very powerful, stable, intuitive, and user friendly. There is a definite advantage in having access to tools you don’t need to go through a steep learning curve to get a useful result out of, after all.

The workflows they cover are audio, graphics, video, photography and publishing, and within each workflow they include an entire suite of tools for each step of the process. And while I dearly love the large selection of utilities in Open Artist, it can get a bit confusing at times when you just want to crank out your project. It is very nice to have a toolkit available where the best (or at least most commonly used) program for each step is at your fingertips, leaving you no ambiguity about what to launch as you go through creating your masterpiece, in whatever medium.

The latest release is built on Ubuntu 13.10 (Codename: Saucy Salamander), and it has all the latest and greatest updates for all the software. But because it is that new, and not fully vetted for the long haul, it is only supported for the next 4 months. Early adapters will want to go that way, but most folks will probably find the build layered onto Ubuntu 12.04 (Codename: Precise Pangolin), which is supported through 2017, a more reasonable way to go.

Any way you approach this software package, I suspect you will find it a very valuable addition to your creative arsenal. I certainly keep booting the disc over and over and use it to create new things, so I suspect you might find it as interesting after you have seen it a few times.