We get the animation Norm of the North in wide release this week, polar bear vs. corporation. In what appears to be a limited theatrical release, the live action film 400 Days tells about a group of trainees in a long duration space mission simulation who lose contact with mission control. This is a bit unusual because it is produced by Syfy Films, but being released in theaters and on demand, rather than being aired on the Syfy Channel. Also, it was released on DVD in Australia last October.
The Martian is out on disc this week, based on Andy Weir’s book and starring Matt Damon. The film has been nominated for a number of awards already, it will be interesting to see which ones it takes home. For animated family silliness we also get Hotel Transylvania 2, with the further antics of Dracula’s daughter. While Mr. Robot: The Complete First Season may not be genre, it is cutting edge TV you should be watching, and it too is up for an assortment of awards. From now to January 21st you can watch all 10 Season 1 enhanced and uncensored episodes on their website, especially if you are voting for any of those awards.
In Anime, Argevollen Collection 2 continues to up the ante in the war, with newer and better combat mechs rolled out to both sides. It is beginning to look like the only winners will be the companies that create the giant robots. The IGPX Immortal Grand Prix: Complete Collection originally came out in 2005 as 2 box sets, this is the first time the entire thing is in a single package. It combines auto racing with combat mechas for a rather unique sport.
This amazing tribute to Hayao Miyazaki is from dono on Vimeo. He built it using Blender (3D modeling and animation), Gimp (graphics/painting creation/editing), Octane (real time 3D rendering) and Natron (matting, masking, and compositing). I will point out that all of them except Octane are free, open source software that rival any of the commercial software packages which do the same job. I am sure everyone will be surprised that the music he used is by Joe Hisaishi. It looks like he modeled and rendered the scenes, sets, and backgrounds in 3D but composited the original 2D characters into those scenes, including scenes they were never in before for some of them, creating a wonderful visual effect. Many thanks to Nerdist for the heads up on this one, and my only problem now (as someone else said in the comments) is deciding which Miyazaki masterpiece I want to re-watch tonight, after watching so many old friends on the screen together after all this time.
Tribute to Hayao Miyazaki from dono on Vimeo.
Pretty much nothing this week, unless you are near one of the theaters showing Detective Chinatown, and even that won’t be available in very many theaters until next week. This might be a good time to catch up on recent movies you have missed.
In Movies we have the somewhat silly The Scouts Guide to the Zombie Apocalypse, complete with an attack squad of zombie kitty cats. I suppose I should also mention Deathgasm, another horror/comedy but with a heavy metal beat. I think the non-genre Memories of the Sword, a historic fantasy of Korea’s Goryeo Dynasty (roughly a thousand years ago), is the best movie bet this time around. I did not see anything genre in TV this week, and Anime only has one new release; Dai-Shogun: Great Revolution. That one is from a parallel universe where giant steam-powered robots fought off the foreign ships, so the 1868 Meiji restoration never happened. Japan is left still fragmented, with various warlords running different areas and the Tokugawa Shogunate fighting internally for control of the fragments.
The Studio Ghibli masterpiece Only Yesterday is finally being released in North America 25 years after its Japanese debut thanks to the folks at GKids. Rather than the fantasies of Miyazaki which Studio Ghibli is famous for, this one is one of the sumptuous slice of life presentations of co-founder Isao Takahata. GKids financed a whole new English dub of the film, including Star Wars: The Force Awakens star Daisy Ridley to voice Taeko, the heroine of the story. It is on the big screen today, January 1st, in NYC, and come February it will get a wider release to the rest of the continent. I can not think of a better way to start off the New Year than with a Ghibli film I have never seen; what a treat!