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Something to Watch: DVD’s

A whole lot of titles being released, or mostly re-released, this week hoping to ride on the coattails of the new Green Hornet movie. The Green Hornet: Movie Edition, The Green Hornet: Original Serials, and Kato & The Green Hornet are all repackaging of the 1940 Green Hornet serials from Universal Studios. Note that the one that starts off with Kato’s name is coming out of South Africa and being sold predominantly across Asia. I find it disappointing that I have located no reference to the 1960s Bruce Lee TV show being re-released this week, as existing editions are a bit pricey if you can track a legal copy down at all. However, The Jade Tiger is going on the shelves Tuesday, so martial arts fans will have something new to watch.

The animated feature film this time around is Alpha and Omega, which has some quality animation work and an excellent vocal cast. It is targeted at the younger set, so don’t expect anything too profound out of the plot line, but a good choice for sharing with the family.

Interestingly enough, 2010’s Piranah 3D is actually being released on 3D Blu-Ray this week, while 1989’s Alien from the Deep seems to have neither a Blu-Ray or 3D version. Personally, I won’t be seeing either one, not being a horror fan.

On TV, Voyage to the Bottom of the Sea: Season 4, Vol. 2 finishes up the final episodes of that series, so you can now have the entire thing in your collection. As with almost any other TV program from the 60’s (Star Trek and Twilight Zone being the notable exceptions) it is a bit campy, but still fun.

In Anime, 11 Eyes: The Complete Collection tells the story of two friends who are transported into the strange world of Red Night, and must vanquish evil spirits and other foes in order to escape. The other selection is Black Butler – Season 1 Part 1, about a boy who trades his soul for revenge on those who murdered his parents, and the Demon Butler who dismembers his enemies. You can watch it on Hulu to help you decide if you want it in your collection.

If you are looking for something lighter than those two, there is an anime series about an Otaku girl who’s secret hobby is gradually revealed to her friends and family I can recommend: Oreimo. It is currently streaming online for free over at Anime News Network, and every Sci-Fi, Manga, Anime, or Gamer Fan will recognize a bit of themselves in this one. They just posted the final episode the other week, so you can watch the whole thing in one go if you like; it is almost addictive enough that you might even if you don’t intend to.

Music for Anime: Joe Hisaishi

Joe Hisaishi has built some interesting music for some quality Anime productions, most notably for Hayao Miyazaki’s incredible animated stories. Miyazaki is the world famous co-founder of Studio Ghibli,, and some of the wonderful stories that Joe built the scores for include Ponyo on the Cliff by the Sea, My Neighbor Totoro, Spirited Away, and Howl’s Moving Castle. From which list you will no doubt have figured out that Disney Distributes Ghibli in the US, because their quality for amazing animation is on a par. And Joe has been doing some of the best musical scores for Ghibli, which is a bit more complex than it might at first seem.

We all know that every good Movie and TV show, whether live action or animation, has an opening and closing theme that ideally sets the tone and expectations for the program as a whole. And we all realize (even if we don’t notice it on any specific show) that within any good program there are variations of one or both of those theme songs that enhance scenes emotionally and make it obvious that we are in a chase, or combat, or romance, or one of the other standard kinds of situations. The ones that become easiest to miss are also the ones that stitch together the presentation at the most basic level; the interstitial music, the tones or brief riffs that introduce a transition from one kind of scene to the next. Trust me when I say Joe Hisaishi has mastered all of those musical flavors, and built some of the most complete and inspiring sound tracks for each of the projects he has taken on. Just in case you still think you don’t already know who he is, this short selection of tracks should prove otherwise to you.

And for those in the audience that thought if it wasn’t Rock-N-Roll I wasn’t interested, you were mostly right. But I haven’t heard orchestral music twisted around and tied tight to a story line like this since I sat in the audience and had Leonard Bernstein play Peter and the Wolf for me live one day; that kind of experience really does change your perspective.

Happy New Year

I hope everyone’s previous year ended well, and you are now ready for the new one! For myself, I just spent a little while trying to figure out a new animation program in my collection, and used it to create this primitive but well meant Seasons Greetings video just for you. And since I made my own, it does belong in the Build Your Own category.

Something to Watch: DVDs

In live action movies, Salt tops the list this week, in a twisted flic fully worthy of Philip K. Dick. I was a bit surprised when I first found out he didn’t write this one, as he has written so many like it. Also released for the younger crowd, Missy and the Maxinator is a live action kid-as-superhero film in which the teachers are out to take over the world.

There is only one live action TV entry this week, but it is an important one: Caprica: Season 1.5. This series was more like reading Sci-Fi than watching it, something you constantly had to think about and extrapolate from in order to understand. It dealt with some of the most important issues our current technology raises today, and did not sugar coat them or spoon feed the audience with a preprocessed answer. Unfortunately, most of the American audience wanted to be entertained, not educated, and the same non-Sci-Fi aware powers at the Sci-Fi Channel who brought you the WWE made sure to kill it without even letting all the episodes air. I am still waiting for an explanation of what mindless muscle boys beating on each other has to do with science fiction when it occurs outside of a Mad Max franchise.

For western animation this week we have the return of Futurama: Season 5, and I just want to say I am very glad that Comedy Central decided this program was worth financing for another round. If anything, this season was more outrageous than any previous, since they didn’t have to strictly follow broadcast television guidelines. I am hoping for many more seasons like this one.

The one new anime offering this week is the Bleach – Season 7 Uncut Box Set, Bringing us up to episodes 122 through 133 of this spirit world combat sequence. To put that in perspective episode 300 just aired on Crunchyroll and in Tokyo last week. That means there is a gap of years between what you can add to your collection here and what the actual current episode is. I am going to use this as a contrast and compare opportunity; If I watch the seventh season and follow it with the current season and do not feel like I am missing anything in between, that would be a good indication that the writing has gotten stale and the storyline is static. If I am missing some names of people and spirit realms but the action and structure of the two seasons are consistent with each other, that would indicate they settled on a formulaic structure and are only plugging in the villein du jour for the story arc and telling us the same tale over and over. If, on the other hand, it becomes obvious I am missing something fundamental in the relationships of the characters and the nature of the struggle they are involved in, that tells me they continue to evolve the underlying concepts and personalities, and perhaps this series could be worth continuing to follow and support. One thing is undeniable whatever the verdict; this anime has had some of the best J-Rock music of any series, and I will post on that soon.

The other anime release this week is a re-release in a cost effective package; Tenchi Muyo! GXP- The Complete Series [Viridian Collection], which will run you less than $30 for all 26 episode. This is one of a fistful of Tenchi series (and Tenchi isn’t even the main protagonist in this one, but all the other details are there), and for the most part they involve our hero being an unlucky klutz who gets dragged into serving on the galactic police by mistake, usually as bait in a trap. Except for the series of time-travel movies in which he was an unlucky klutz, or the sequence of Magical Girl tales in which he was an unlucky klutz, or the… you get the idea. The other detail which is always true is there are four (sometimes 5) girls doing the Romantic Interest part, and one of them is always a galactic police officer, and one is always the dread pirate Ryoko. If you are looking for something profound and beautiful, look elsewhere; this one is just silly fun, but it is very GOOD silly fun.

Unclothed Man in the 35th Century and other indy flavors…

The Unclothed Man in the 35th Century A.D. is one of a number of amazing stories to come to us from the IFC Web Series collection, which you can enjoy online at any time. I do like their tag line: Always On. Slightly Off, and I do think they did a great job on the animation for this series. The series involves a human revolutionary/reactionary who tracks down and eliminates Droids, using both weapons and cunning, and not much in the way of ethics.

Another story from the IFC Webisode collection I find interesting is Dead And Lonely, about two hopefuls who are brought together by a speed dating service called DateOrDie.Com. Too bad one of them is a vampire, unless they can really work it out before dawn.

And then there is the ever recursive Twisted Night, a webisode program about making webisode programs. The Perl hidden at the core of this oyster is the Webisode How-To Guide, giving you specific details on how to make your home made indie production come across as professional as anything made by a major studio. Following this small handful of tips could make the difference between being ignored and being appreciated, but it won’t cost you much beyond time and attention span to upgrade your projects into something that has the potential to go viral.

Something to Do: Movies

This weekend hasn’t been in doubt since half way through 2009; TRON: The Legacy is the hands-down winner. Many of us have been waiting decades for the continuation of this story, an archetype tale of the computer age that changed movies forever. It wasn’t just the use of computer graphics (real and simulated), although that was a precursor of movie production processes to come. It was also the first time computer processes were personified, with each subprogram taking on the personalty its function set would require; the first time the kind of Artificial Intelligence we had known for years from books was portrayed on any screen.

There had been previous attempts to personify AIs on screen, such as 1967’s Colossus: The Forbin Project, which in my mind was the inspiration for the original Skynet from 1984’s Terminator movie, much as the original 1982 TRON was the inspiration for the animated masterpiece ReBoot in 2001. The most notable AI film after them was 1999’s The Matrix, which again completely changed the rules.

None of them led to War Games in 1983, because that box was a real computer and the logic of the plot line adhered to actual parsing rules any programmer of today understands. There was no touch of AI in that story, just the massive paranoia of the time combined with a lack of understanding on the majority of the audiences part of how computers worked. Just saying…

Interestingly enough, the other movie coming out this weekend is a spiritual descendant of TRON by way of William Gibson’s Neuromancer on several levels; the protagonist in Spark Riders invents a way for people to place their soul on the internet. When her idea is stolen by a power hungry psycho and a greedy spy, people begin to become trapped online. With a total budget much less than TRON spent on catering the location shoots, this film could still potentially be worth checking out; after all, they made Dark Star on 10% of Spark Riders budget, and Hollywood promptly threw a ton of money at Dan Obannon and John Carpenter (who then created the Alien and Halloween franchises respectively) because of it.

And one final note; for all of those who, like me, have been frustrated in their efforts to acquire ReBoot for their personal collections, an agreement was reached a few months age between Rainmaker Entertainment, Inc. (the direct descendant of Mainframe Entertainment) and Shout! Factory to release ReBoot in the US in some format or another, most probably a DVD Box Set version. ReBoot really is a direct descendant of Tron; what a treat if we could finally access the original of the former with the the next volume of the later within a year or less of each other! Here is the latest peek at the cover art for the complete series DVD.