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There had been talk of the Wild Cards shared universe series being made into a TV show. It was to be a joint project between Universal Studios and Syfy, with Melinda Snodgrass doing the screenplay and her and George R. R. Martin executive producing the series. That announcement came out in 2011, and I haven’t heard a single mention of it since, so my hopes are getting pretty faded now. That is a shame, because the Wild Cards books are my favorite shared universe (the short stories) and mosaic novels, and was one of the first portrayals of super heroes as if they were real people with all the real life baggage that entails. Authors in the first 1986 volume included George R. R. Martin, Howard Waldrop, Roger Zelazny, Walter Jon Williams, Melinda M. Snodgrass, Lewis Shiner,Victor Milan, Edward Bryant, and John J Miller. They re-released the original Wild Cards I in 2010 in an expanded edition with new stories from a handful of authors, including Carrie Vaughn. Volume 23 of the series is coming out soon, and it continues to be excellent.

The premise of the series is simple; aliens from outer space want to take over the Earth with all the buildings and infrastructure intact, but without all those pesky Humans around to dispute ownership with them. Or perhaps one renegade Mad Scientists from the aliens wants to use the human race as a testing ground to see how the virus they have created to rewrite DNA actually spreads through a live population. I tend to remember it both ways, since one plot line seemed to be the hidden agenda behind the other. Either way, a space ship arrived to carpet bomb the world with the infection just after WWII has ended. Except… WWII has just ended, and War In The Skies is something humans have gotten pretty good at. Especially Jet Boy, a normal person who has become, in Batman-esque fashion, the most dangerous person in the air. When the ship arrives at Earth and begins the bombing run, he immediately recognizes an attack pattern and starts fighting back. It is destroyed, but not before it drops a single viral bomb on NYC, and they both fall burning from the sky.

The sole virus delivery bomb to reach the ground wrecks unimagined destruction and havoc on the population of the City That Never Sleeps. 99 out of every 100 people die outright. Of the 1% of the survivors, 99 out of every 100 of them become Jokers, with twisted mutant bodies looking not very human at all, although about half of them have some power to compensate them for their loss. The final 1% of 1% become Aces; people with normal or enhanced appearance, and some superpower they can use for themselves. They break down another layer deep, because they are, after all, people. Some become heroes and champions of justice, some become villains, and others are only in it for themselves; like everyone through the ages, they have to decide who they each want to be.

I should mention that my favorite character from this series is Croyd, The Sleeper, and that he was created by one of my favorite authors, Roger Zelazny. Croyd isn’t like any other Joker or Ace; they are all who they are. Croyd, on the other hand, is only who he is at the moment. Once he falls asleep, he could wake up as anyone, Joker or Ace or Human, and that gives him a flavor no one else in this shared universe has. It also gives him a problem no one else has, with its own set of issues; such as being terrified of falling asleep, since he never knows who or what he might wake up as. The solution he usually chooses for that problem is to consume massive amounts of no-doze and other sleep avoiding chemicals, which has its own drawback. After the first 48 to 72 hours of being awake, one’s mind starts to get a bit flaky. When you hit one week of being awake, you have begun to enter the realm of the psychotic, and things go rapidly downhill from there. So even when he starts out as one of the Aces with full superpowers and an intention of doing only good, within a week or so he is doing demented things with no rhyme or reason, and LOTS of unintended consequences.

And that is just one character and his basic issues. Wait until you meet Tom Tudbury, the Great and Powerful Turtle, who’s lineage appears as the House of Tudbury in George’s Game of Thrones series. Every author who came to play in the Wild Cards shared universe created one or more characters, and every character was a human being first with all that might entail, and a hero or monster second, using their abilities to write their personal self large on the world stage.

You can, of course, read any book in the series as a stand alone volume, but you will get a lot more out of it if you gather a selection of the books in a specific subset and read them all in a row. For myself, I would recommend starting with the first one in the set, Wild Cards, and then continuing through the next 9 volumes. If you have done that already, grab the second set starting at volume 11 and read from there. Often a set of 3 book will tell a complete story, even when it is a subset of a larger arc; each book is self contained, but the first 3 books are a single story, residing inside the first 10 book story arc, as an example.

Want to read a few of the stories online for free, before you decide if you should dive into this shared universe? Tor has made a number of them available, so here are a few to check out:

When We Were Heroes by Daniel Abraham
The Rook by Melinda Snodgrass
Ghost Girl Takes Manhattan by Carrie Vaughn
The Elephant in the Room by Paul Cornell
The Button Man and the Murder Tree by Cherie Priest

Drop by George R. R. Martin’s Blog to catch up on a lot of the news and ongoing details.

Guardians Of The Galaxy is a bit different than the other Marvel film outings so far, and I am definitely looking forward to it. Let’s see… a bunch of misfits who ended up together because no one else understood them, and then the Galaxy As We Know It was threatened with destruction and they are the only ones who can save us from the danger. Yep, sure enough, that was never used as a Marvel plot line or premise before. 🙂 Seriously, though, I WILL be in the theaters on opening day, or at least opening weekend. I have really been waiting for this one for a while.

Attack On Titan is very popular around the world, and has been signed up for a live action movie. The manga and Anime series is so popular in Japan that everyone wants to use it in their marketing campaigns and commercials. So the director of the upcoming live action production was given a chance to put together a Subaru commercial to try out his first Titans on. They haven’t decided yet if these are the way the Titans will be portrayed in the film, but it looks pretty good for a first attempt. Thanks to the folks at Anime News Network for the heads up on this one; they have more information about the movie at their site.

It looks like Dreamworks is going ahead with their live action production of Ghost In The Shell, since they have now brought in Rupert Sanders to direct it. This classic Masamune Shirow cyberpunk story is an examination of what it means to be human in this increasingly technological age, where the line between man and machine gets ever more blurry day by day. The format was originally a Manga he wrote and drew from 1989 to 1997. In 1995 he turned it into the Anime feature film that redefined cyberpunk around the world, inspiring such later works as The Matrix. A second Anime movie, Innocence, came out in 2004, both films based on story lines from the Manga. The TV series Ghost in the Shell: Stand Alone Complex on the other hand had new stories that were spun off of situations and characters in the Manga, but independent from it. It has gone through 2 seasons and a number of compilations of story lines from the series were re-cut into feature length stand alone presentations, between them ranging from 2002 through 2007. The TV series had some of its stories converted into Manga format, and three novels based on the series were also released. Just last year a new series of prequels began to be created as OVAs with Ghost In The Shell: Arise, and that too has manga versions. This universe is rich and complex, and I can’t wait to see what they do with the live action portions of it.

If you are building your own artwork, or animations, or videos, or perhaps a button set for a web site, it can be fun and useful to have some Science Fiction Fonts in your toolkit to give a bit of flavor to your creations. A great place to start is with the complete Futurama suite. It has both of the alien languages fonts (and if you didn’t already translate all the jokes on the signs that use them, you may want to go back and re-watch some of the episodes, with you cheat sheet close to hand) as well as the Title, Ambient, and Bold Fonts used in the series. The RoboCop font is a classic, Back To The Future is a good choice, Alien is a classic, and Splash Gordon is also quite a good catch. Because of the way that last web site does everything server side with Javascript, that link only gets you to the site. You will have to drill down to get to the font itself.

There are a number of other series that make their font set available which you should search out, but you will also find some quality resources at the font compilation sites. 1001 Fonts includes 137 free Sci-Fi/Fantasy Fonts, and Da Font has several hundred more, for instance. FontSpace includes a bunch more, as does Fonts2U. Note that on several of these sites you will get different results with different search terms; try several of them and see what other goodies you come across.