I have only seen two episodes so far, but Arrow grabbed my attention right away, pretty much from the opening sequence of the first episode. I don’t know if they are going to be able to sustain the tempo and evolve the story the way it should be, but I already care about several of the characters and can’t wait to see what happens next. Meanwhile, the revival of George R. R. Martin’s Beauty and the Beast also started nicely if at a somewhat slower pace, much as the original did. I have only seen one episode of that so far, but Kristin Kreuk has already made the Catherin roll her own. I am less impressed so far with Vincent, but Jay Ryan made a strong enough first showing in the roll that there is hope for him to grow fully into the part (or maybe, just for me to get used to him in it). Of course, it is hard to imagine anyone outdoing Linda Hamilton and Ron Perlman as Vincent and Catherin, but I am going to enjoy watching this updated version.
The Babylon 5 article they posted over at Tor Online, which ran under the title All Alone in the Night: When Babylon 5 Invented 21st Century Fandom is excellent, and reminded me yet again what an amazing series it was. J. Michael Straczynski created the entire story arch and wrote the majority of the episodes himself, with maybe 20 episodes written by others and few of them key. He also knew how to work the internet to directly work with the fans, as anyone who lived through those times online knows, and anyone who digs into the JMS Message Archives site will soon learn when they go back far enough. He used a lot of pre-Web tools, such as Usenet and IRC, even though the first episode of Babylon 5 did not air until 1994, by which time the first graphical Web browsers, Mosaic and its successor Netscape were already in widespread use. And he used them as a creator directly reaching out to the fan base, which had never been done before.
I still tend to disagree that he invented modern internet fandom, although he did make some major contributions on how these tools were used, because back all through the 1980s USENET and IRC were being used for fans to talk, and the first file repositories were being assembled for those who knew how to use Telnet and FTP to share text, audio, and images. The Internet Speculative Fiction Database started out being called The Internet Science Fiction Fiction Database, which was a USENET newsgroup with the name structure rec.arts.sf.written which began in 1984. If you want to dig back to the beginning and read your way to the present for a complete understanding of its evolution over the decades, check out The Linköping Science Fiction & Fantasy Archive, and yes, lots of the best early SF sites were out of Finland and Sweden. And that is just a single instance; there were many more in those days, listing them out could take me the next year.
Here is a single earlier example from my own experience. One of the prizes of my personal text file collection is a moderated chat held on Q-Link back in 1985 (Quantum Link, at the time just a Commodore computer online gateway service, later rebranded as something called AOL and opened up to all computer types) with Gene Roddenberry as the guest. It was a long distance call to Vienna Virginia from where I lived at the time, and a state of the art 300 baud telco connection (I had to solder the parts together for the hardware myself from $7 worth of Radio Shack components, you could not buy a Commodore modem) meant it took me 15 minutes to read the first 4 paragraphs of the conversation, showing up on my screen one painful letter at a time. So I typed in my question, uploaded it, waited the several minutes it took to type out the confirmation the service had received the question, and went offline. Three days later I received the information that the full text of the event had been compressed and posted, so I downloaded it. What a treat to discover that the moderator had passed on my question, and he actually gave it a considered answer!
That being said, even if J. Michael Straczynski didn’t invent modern fandom like the article author claimed (I suspect Ryan is just too young to know about the earlier stuff), he did set up a lot of the principles that modern content creators use to connect with their audiences. And he also created some of my favorite content, which besides Babylon 5 includes 1990’s Jeremiah, last years Thor, and next year’s Living Dead: The Musical.
This week’s primary selection has to be Dredd, and the only way to see it is in the 3D format. I really love the Stalone camp version, it highlighted his comedic skills very nicely, but this one looks to be a bit truer to the original graphics novel material. It also really looks like it needs the big screen to get the full effect, and I am so there.
Congratulations to this years Hugo Winners as announced at ChiCon 7 last week. There are some amazing stories in the mix, you should check every one of them out.
It isn’t very long, but let’s face it… there is only one true Judge Dredd quote, and we finally get to hear what the new incarnation of the iconic jurist sounds like delivering that dialog.
Word from Deadline Hollywood is that Marvel and ABC have signed off on creating the pilot for S.H.I.E.L.D, the live action TV series. Joss Whedon is supposed to be co-writing it, with his brother Jed (Dollhouse, Doctor Horrible) who will also be directing. Joss always had the best TV series going (Buffy, Firefly, you can name the rest as well as I can), and I can not wait to see his work back on the small screen again. They pretty much started production when they left the room after signing the contracts, so it may just be available fairly soon. Thanks to TOR for the heads up on this one.