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Like everyone else on the planet, I have become a big fan of watching streaming video online. For the most part, as new sources became available, they were connected to a service that had something to gain from the offering, and the ones that didn’t gain anything soon went away. The new one that fits that description is XFinity TV from my cable provider, Comcast. It is a bit of a surprise for two reasons: first, they aren’t asking me for more money for the service, it is just there as part of the package I am already paying for. Second, it has a lot of video my TV set top box doesn’t have, and is missing a lot of the things my cable box delivers. Both of these things make sense once I looked into the reasons for them.

On the first point, I suspect I am not the only person that noticed the economy got a bit rough around the edges over the last few years. Lots of folks have cut back on expenses, and if you are Power or Water you have no worries, because those are live or die items. If you are TV, Telephone, or the Internet, people will actually survive if they don’t pay for you, hard though that may be to believe. Except for that occasional 911 call, of course. So every TV, Telephone, and Internet provider is busy building VARs into their service (Value Added Resources) to make their service too valuable per dollar spent for you to want to give it up. Which makes it obvious why my cable company is giving me a very valuable additional resource without charging me extra for it.

The second point stems from the fact that each network and program production team have their own deals with various distribution outlets. A good example of this is from the Big 4 (or so) Commercial Broadcast Networks; ABC, NBC, CBS, and Fox/CW. Both NBC and CBS are on my cable set top box Video On Demand service, with lots of the current programs. ABC is not there, nor is Fox/CW. So I can watch Chuck on NBC or Medium on CBS, but I have no access to No Ordinary Family on ABC, Smallville on CW/UPN or Fringe on Fox/WB. Or was it CW/WB and UPN/Fox? But when I log into XFinity, I have ABC and just watched the Pilot for No Ordinary Family, followed by this past weeks episode of Smallville, and tonight I just may rewatch Fringe. This combination works for me; I can watch everything I am looking for now, each through its assigned delivery system. And the streaming stuff goes with me, anywhere I have Wi-Fi access.

I first played with streaming online video in the mid 1980s, using the Multicast Backbone (MBONE) people were just beginning to develop. It could actually deliver low bandwidth audio in a two way environment at a reasonable rate, so even with a 3600 BAUD dial up modem you could do voice chat with people on another part of the planet. As long, that is, as you were both on one of the internet gateways like Q-Net, Compuserve, or AOL, rather than the much more common BBS systems. Video back then was a postage stamp sized picture at 16 colors refreshing at one frame a second if you had a good connection, and if you are interested in the basics of how it worked in olden days this thread is a good place to start.

It still pretty much works the same way today, except computers are much faster and more powerful, the ones on your desk, in your pockets, inside your TVs and DVD players, and most importantly the ones delivering the internet to you. So my Blue-Ray DVD player has its built in Netflix, YouTube, and Pandora widgets that pipe the output to my TV. On my computer, I have a premium paid account with Crunchyroll to watch Japanese, Chinese, and Korean TV programs an hour after they air in their respective countries, and another one with The Anime Network that gives me access to a completely different set of programming from those same countries. Similar fee-based arrangements are soon to be available in the US from sources such as BBC TV and Sky TV for areas outside the UK, and a whole lot of other programming suppliers from many other countries. In each case, you can watch the programs live (or near live, with a one hour delay being most common), which gives the license holder for that programming two instant advantages:

1) They get a regular payment from X number of online subscribers, without incurring any additional cost beyond building their server farm to handle the additional load. That load is minimal in a Multicast environment, and if you realized they have to pay their program suppliers for the additional people watching their show, you should also have realized they can see how many people are watching which shows based on the number of streams requested for each. So if I log into the BBC service, and only watch Doctor Who and Misfits episodes, all of the money they pass on go to the producers of those shows. That increases the odds that the programs I want to watch will be funded and renewed for another season; I know, because I helped fund them.

2) Both the Network/Service as a whole and those specific programs that pull in the subscription viewers get a spike in their ratings. In a commercial network environment, this means being able to charge more per 30 second spot. But even for non-commercial (in the sense of not running advertisements, NOT in the sense of not making money) networks like HBO or the BBC, ratings are king and are at the heart of increasing revenues.

Just about to be released on DVD in the US , Eden of the East sucked me in with the initial scene: the protagonist naked with only a gun and a cell phone in front of the White House saves a tourist girl from arrest, then starts running. In eleven episodes, they cover one of the most interesting conspiracy plot lines I have seen, easily on a par with Welcome to the NHK or Speed Grapher, and every bit as riveting. It carved hours out of my precious sleep schedule, because every episode demanded that I watch the next, to find out what happened. Yes, I watched the entire thing in one sitting; I could not help myself. The link to watch the program online still exists at HULU, but the site link for Funimation Video is already past that, moving onto the new seasons programing, Like Birdy the Mighty: Decode. The best news is that it isn’t over; we get to go back to that world in Eden of The East the Movie I and II and see what happens next!

The Duleks is an interesting home made video series which claims to have no relationship to Doctor Who or the Daleks. I am not sure how long they will be around, but figured I should post the first episode here so everyone could catch a glimpse of it. Along with some rather good satellite tracking software and a bunch of other machinima, it is the product of Satscape Films mastermind Scott Hather, and the series has now been nominated for an Ollie Award.

There are a few Geek-friendly archives that have just gone online and are worth bringing to your attention here. The first is YouTube Time Machine, or YTTM. Set your category toggles and click on a year, and you will get presented with a bit of history that matches your configured interests and timeline. You can then either repeat the process, or click the Play Another Vid button to see another match from the same year. The archive is somewhat limited when you narrow down your topic and date ranges, but still manages to deliver some fascinating videos to watch. The collection begins with the 1860 entry First Sound Ever Recorded, and goes through the subsequent media milestones since then.

The other archival project just rolled out that I find fascinating is the Variety Archives, with 105 years of Variety issues to browse or search through. They include not only articles, but every other entry aspect, including classifieds and advertisements. This is a serious glimpse into the history of recorded media, and will be mined by many scholars both amateur and professional over the forthcoming years.

Trailer mashups have been happening more and more frequently lately, and as you might suspect getting better and better. This one is so good that Edgar Wright gave his seal of approval to the Scott Pilgrim/Last Airbender mashup. Someone else did the same thing with The Matrix. The final one is very outrageous; and Expendables/Supertoons mashup. I gotta admit, these do bring a grin.