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Yesterday when I logged into Crunchyroll to watch the next episode of Nogizaka Haruka no Himitsu (so far, a series I associate with Genshiken and Welcome to the NHK in its expression of the Otaku lifestyle), I found a little flag telling me that episode 1 of the Occult Academy was available for viewing (it aired in Tokyo yesterday as well, so it is fresh!). So I felt the need to check it out and report back here, and if you want to watch it yourself, the direct link to the Occult Academy is here.

The story opens at the school commonly known as the Occult Academy in 1999, where the Dean/Principle/Headmaster has just died. He founded the school to help train people in non-standard modes of reality ranging from magic and astrology through telekinesis and UFOs. His daughter, Maya, arrives late for the funeral and in an angry frame of mind. When her father’s spirit-inhabited corpse gets out of the casket and starts attacking the students, Maya goes into action to protect them with a physical counter attack. While doing so, she hands out whatever disinformation she feels will best deflect the people she is speaking with from believing in the Occult as something supernatural, an equally important defensive move from her perspective. There are two brief segments, at the very beginning and the very end of the episode, where we catch a glimpse of something different than the main body of the program; a brief glimpse hinting at the time travelers from 2012 and their agenda.

This is only the first episode, so it is difficult to actually comment on the quality or give it any accurate rating as yet. The premise is first class and has a lot of potential, but as to whether the writers can convert that into an ongoing storyline that will build on the promise and deliver a riveting series that glues us to the screen remains to be seen. Likewise with the characters; in this opening episode we were introduced to Maya, several of the students, and the vice principle (or whatever the correct term is for the schools second in command). The only character explored in enough depth to get an initial peek at their motivation and personality was Maya, but that is not surprising in a 22 minute episode with 14 minutes of action sequences and 4 minutes of background and setup exposition.

Animation quality can only be inferred, since the available stream data density was not good enough to match a standard definition TV screen, but the actual animation itself looked pretty good within those limits. Not new or groundbreaking, but definitely solid and workmanlike in its delivery and quality. The animated Maya looks awfully familiar (think Eureka7), so I feel confident when I get to reading the credits in detail I will discover a few old favorite names. As for the music, it didn’t offend me, but I need to hear the intro and outro songs three or four times before they click in my head and I come to a conclusion. The incidental music, meaning the background audio that builds a mood for a specific scene or enhances the transition from one scene to another, did not stand out enough to distract me from what I was watching. That is half the job for incidental music, but because it did the first half so well, I didn’t notice if it did the second half and actually add to or improve the overall viewing experience. Again, with another two or three more episodes to base a judgment on I should be able to come to a conclusion. What can I say, my ears are a bit slow on the uptake.

Final conclusion: this one looks very promising indeed, and unless it takes a virtual header into the bottom of the quality pool I will see it through to the end of the first season. I will also tentatively recommend it, and keep my fingers crossed that I will continue to do so by episode 4 or 6.

Hands down, this weeks best DVD release has to be Life On Mars (UK): The Complete Collection. If you are only familiar with the US remake, which was unwatchable, you have my condolences, and trust me when I say the UK original was wonderful. If you are a fan of the original, but have been holding off on buying it because each 8-episode season ran around $45, now might be the time to make your move. While the SRP is $79 for the full set, I have found it at a few online sites available for pre-order for around $54, just over half of the original separate season costs. This is one of those Time Travel/Cop Show/Psychotic Break programs any thinking person can’t help but watch over and over (again, unlike the American TV remake), particularly because of the interaction between actors Philip Glenister and John Simm. Did I mention I recommend it?

For the rest of the TV choices, three Sci-Fi selections from classic Doctor Who and two documentaries round out the collection. The first Who release would be the William Hartnell episodes The Space Museum / The Chase. It is worth noting the Space Museum includes the actor who would later become Boba Fett as leader of the Xerons. Next of the Doctor Who releases is The Time Monster, starring Jon Pertwee and Katy Manning. The bit that makes this episode memorable is its redundancy inside a recursion; the Doctor hides his Tardis inside the Master’s Tardis, while the Master’s Tardis is inside the Doctor’s. This is a true Tesseract moment in the history of Dimensional Displacement. The final Who disk is The Horns of Nimon, a Tom Baker/Lalla Ward series episode. The Nimon were the first TV series examples I know of for the Sci-Fi trope of the intelligent interstellar locust species used to such good effect in Independence Day.

The documentaries are comprised of Douglas Adams final book, Last Chance to See, and the NASA/UA behind the scenes look at the Phoenix Mars Mission: Onto The Ice. The Adams film is hosted by Steven Fry, but even with that powerful combination of funny men this one is dead serious about all the species on the edge of extinction.

On the movie front nothing really spectacular leaps out, but a few potential hidden gems are lurking about the edges. Bitten looks like an interesting Vampire horror comedy (the Zombies have gotten too much of that field recently). I am thinking that looks at least worth a Netflix viewing, so I can decide if it needs to be part of the permanent collection. Eyeborgs has been making the Film Fest circuit for a while, and again looks real interesting. With all the reviews I have read about this one, there will not be a wait before I purchase.

For foreign live action this week Battle League Horumo stands out as a humorous (perhaps even downright silly) action adventure. The Battle League games consist of 10 players, each of which controls 100 Oni or small demons, fighting to be the last player standing. Kyoto is the playing field.

Anime gives some good options this time around. D.Gray-man comes out this week with a season 1 box set, as does Ghost Slayers Ayashi. Another full season collection is Gurren Lagann, which is a very warped little program using retro-70s animation styles (even though it was made around 2005 to 2007) to tell a twisted little story about the nature of existence and humanity’s place in it. And season 1 of the Melancholy of Haruhi Suzumiya is also being released; no word yet on when the ONA, the movie, or the second season of the show might be available. All of these programs were previously released as individual volumes, but this marks their first time available as box sets.

While I have never been a fan of M. Daze Shamarama, finding all of his previous works yawnworthy, the trailer for the live action version of The Last Airbender looks really good. I also enjoyed the award winning animation series it is based on, Avatar: The Last Airbender. And yes, I do watch select programs on Nickelodeon, and the Cartoon Network as well; I don’t want my inner child to evaporate from lack of sustenance. So I will be parked in front of a 3D big screen this weekend (doesn’t that trailer just scream 3D?) in the belief that they didn’t use up all of the interesting footage just to entice me to buy that ticket. If it really is as good as the trailer indicates it might be, I will even start identifying the director by his actual name, since he may have finally made a movie that doesn’t put me to sleep.

There are a number of good choices this week, starting with one of my favorite TV shows: Eureka Season 3.5. Another good show from the same channel has its season 1 release as well, Warehouse 13. This is just in time to catch up with the previous season before the new seasons launch on July 6th and 9th, but also on the 9th they are launching a new Steven King TV series on Syfy, Haven.

While it wasn’t a traditional TV series but more of a Machinima, I am excited to note that Red vs Blue: The Blood Gulch Chronicles is being released this week as well. This box set DVD includes the complete first 5 seasons of this very funny and combat intensive program.

There are some good selections from the world of live action movies. Kicking off a new franchise that hopes to pull from the ranks of the Harry Potter phenomenon, Percy Jackson & the Olympians: The Lightning Thief was thoroughly enjoyable. Like Potter, the movie was based on the first of a series of books, so there is the promise of more fine adventures to come. Another good film is Hot Tub Time Machine, which surprised me in the theaters. I went in expecting just some silly fun, but there was a bit more depth than the trailer would lead you to believe.

On the Anime front, Gintama 2 continues the story of Edo-era Japan invaded by aliens who installed a spaceport and modern city in the 17th century. They also made it illegal for Samurai to use their swords, and put the majority of the population into sweatshops working for the alien masters. Our protagonists are a Samurai named Sakata Gintoki and his companions in the Yoruzuya Gin-chan odd jobs shop, taking any job from finding lost pets to saving the world to try to pay the rent. Also this week, the re-release of the Basilisk Complete Series box set Viridian Collection, making the classic Ninja Shogunate supernatural martial arts epic affordable again.

Out of the imported live action choices, Nine Girls and a Ghost appears to be a rather uneven high school wish fulfillment presentation that should entertain anyone in that age range. Likewise Samurai Avenger: Blind Wolf is targeting a limited demographic, the Samurai Cowboy Zombie Gorefest crossover fan base. It actually looks like it might just be campy enough to be entertaining, though. I can’t say the same thing for Ultimate Machine Girl, a release so underwhelming that no one at Rotten Tomatoes even bothered to review it.

When the original Green Hornet TV series used to air, in Japan and China it was rebroadcast under the title The Kato Show, because as far as everyone in Asia was concerned, Bruce Lee was the star of the program. Looking at the trailer for the new Green Hornet Movie it looks like they might be going down that same road again, with Jay Chou as Kato this time. Jay has made a number of excellent films in Hong Kong (including the frustrating Curse of the Golden Flower, where the only character left alive by the end of the film was the one guy you wanted to see dead from the beginning), but I believe this may be his first venture in an American move.