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In fact, it went live this past Sunday, over at the Geek and Sundry Channel on YouTube as well as the Geek and Sundry home page. Felicity brought The Guild over for season 5 (plus the archives), and has launched a video blog. Wil will be hosting a gaming show with a lot of great guests and actual board games, playing his guests while interviewing them. Veronica Belmont and Tom Merritt have brought their podcast into the video age and joined the team, and Paul and Storm bring their own brand of silliness to the mix. And that’s just the folks I was already following, there is more going on there you will want to check out.

If you appreciated the Doctor Who episode Vincent and the Doctor, you are going to love this. I should mention that the interactive part does NOT mean you can do this yourself with it, since it is just a streaming video. But I must add my voice to a bunch of folks, including Gizmodo, in urging the creator of this video to take the final step. The video is a capture of the authors results when he used an openframeworks environment to create an interface where he could edit in real time, for all of us to see. Now it needs to be converted to an App, suitable for running on I-Phones, Android, or Web-OS. I can’t wait to use it to create my own Sci-Fi favorite graphics files. *grin*

Starry Night (interactive animation) from Petros Vrellis on Vimeo.

The 10th Visual Effects Society Awards were handed out this past Tuesday, and as is often the case, a small number of shows got several awards each. Transformers: Dark of the Moon seemed to get the most (no, I didn’t count them, so I could be wrong), but Hugo, the animated Rango, the semi-animated live action Rise of the Planet of the Apes, and various episodes of Game of Thrones walked away with more than one each. But there were a number of projects that got a single award each, such as Captain America, and this little gem here, called A. Maize, which was awarded Outstanding Visual Effects in a Student Project

The life size Gundam Mecha returned to its home in Odaiba recently, and the folks at Darwin Fish 105 did their usual incredible job of filming the event. This time around, the footage was taken at night, with a very nice overlay (if something in the background can be considered an overlay, since it is really in the masked screen areas under the primary video) of wide aperture star fields doing extended time exposures and then compiled into an animated setting. The next video is called Tokyo Heartbeat, and shows some world class utilization of the classic time lapsed photography process. If you ever wondered if a city was alive, wonder no longer; you can see its pulse throbbing in this one. Finally, Ginza At Night completes the triptych, this time using high speed film (or the digital equivalent) along with wide aperture light gathering settings on the camera to render a movie that could never have been created in daylight. I am quite impressed with the Darwin Fish processes and results; great job, gang!

There have never been that many moments of actual footage of Jupiter videos or individual photos of the planet, because no physical camera has ever returned from there for us to develop the film. But this compilation of digital images returned to Earth over the last handful of decades and assembled by some of the more skillful editors at NASA gives you a taste of what is going on out there, and I for one would love to get a closer look.